Long Way Home

But I’m still alive, yes, I’m still alive
Shrouded in bitterness, I’ll crawl out of this wilderness and try

Counter, diverging paths, I’m forced to make a choice
Contend this demon’s wrath or let it silence my voice
No doubt I’ve done my slice to bring this on myself
But that pittance won’t justify this rapid draining of health

But I’m still alive, but will I survive?
Biased towards happiness, I’ll carve my creed in righteousness

And pray exoneration for squandering the precious dawn of the Day
That priceless jewel, confined by it’s peripheral fuel
Anyday can come the call to raze the walls, and suddenly be shown…

…All that is beyond, knowing all that is gone
Blown, pried from it’s bond, on the way home…

Who leaves familiar farms, swan dives into the sea
Of vast transcendent charms, of vast uncertainty?

He who keeps it alive, the dream that survives
Drafted towards openness, can almost feel the sweet caress of the sky

That boundless cool, clad baby blue
Never seeming too hard to fly
With wounded wings, ever sharpening
Will tomorrow bring just one more try?
To feel the pulse, to forge the ghosts
To make the most and show…

…Just what can be, and know what it is like to be free
And grow into the predestined me, and flow in distinguished harmony
All the way home…

Composition © 2007 Ric Albano
Publication © 2009, 2011 Cygnus Wave Music

Performers
Ric Albano
Piano, Bass Guitar, Vocals
Erik Trabert
Electric Guitar
Ron Simasek
Drums and Percussion

Listener Guide
Grade

Analysis: The song itself, is easily an “A”, but this recording misses the mark at some crucial points (a simpler, less developed version of the song originally appeared on Imaginary Lines II can be heard here). This is a highly spirtual, nearly religious, song about trials, tribulations, and faith.

Song Trivia
The original, working title was “Trinity”, and it was intended to be the closing song on the defunct Imaginary Lines III.
This is only Imaginary Lines song that began studio recording before the composition was complete.
The song was originally intended to seamlessly continue from the “tolling bell” piano chords that finish the previous song “Half Hearted”. Together, these two compositions form a sequence on death and ressurection.