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Tag: Songs from 2004
Lorelei
Written by Ric Albano | Song Length: 6:30 |
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[audio:Lorelei.mp3] | |
Lyrics It’s not Rooooooski! It’s an abstract facsmile of Rooooooski! Damned by a man who cannot stand up straight Cursed by the purse strings attached to my home You don’t want it? You’ve got to have it and I insist that you grab it! Shin deep in purple, processed, pure grape jelly Scorned by a wench who can’t pronounce my last name You can’t feel it? Must be too heartless to deal with… Knee deep in crimson, sticky, entropic, paste gold Where is the buzz when you need it the most? What will the bureaucrat do for Tuesday? Now I was bitten by the dog whose bite was bigger than his bark You don’t weep for it? Neck high in Honolulu blue river tide Composition © 2004 Ric Albano |
Song Info Composed on June 14, 2004 Recorded starting on November 3, 2004 at Silver Spring Subterranean Produced by Ric Albano Engineered by Paul Smith Mixed and Mastered in 2005 at Silver Spring Subterranean Original Release: October 10, 2005 on Imaginary Lines I Performers Listener Guide Analysis: An odd song with an odd story and odd structure, this upbeat and fun tune with deep philosophical lyrics came together in an odd way. Like most songs on Imaginary Line I, a demo was brought to Saturation Acres where a new, professional recording was initiated. But unlike any other song, the demo version was ultimately included on the album as the studio version was determined to be too slow to capture the mood of this song. Song Trivia |
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Perfect Light
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The Phoenix
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Imaginary Lines 33
Imaginary Lines 33 is a compilation album which is actually three albums in one. It includes the entirity of two previous releases, Imaginary Lines I in 2005 and Imaginary Lines II in 2007, plus several new and previously unreleased tracks. In all, its 33 songs have a combined running time of nearly two and a half hours.
This album came together when the project’s producer, Ric Albano, decided to abandon the originally-planned “trilogy” of albums because he did not feel there was enough quality material to make an adeguate Imaginary Lines III. Instead the focus shifted to enhancing previously released material and developing the better songs of the unreleased music.